
Welcome back to the Londonerâs Diary. First up Marcus Ryder says broadcasters need to follow in the steps of the Film + TV Charity, which has announced an anti-racism funding strategy in response to the Black Lives Matter movement. Later today Russell Tovey recalls his experience of attending a BDSM and leather subculture fair with his mum and on a slightly different note, Isata Kanneh-Mason talks about getting classical music into the mainstream. The Londoner bumped into Cat Deeley and Yasmin Le Bon last night and they showed us how to lift lockdown the right way. In SW1A Zarah Sultana explains why she is unashamed to share her slightly uncool most-played Spotify list and Tristram Hunt has some advice for Keir Starmer: demand a power-hungry suite in Portcullis House.
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SW1A
ZARAH SULTANA is unashamed to share her slightly uncool most-played Spotify list, topped by BTS, One Direction and Taylor Swift. âI think that is a radical act,â the MP tells Huck magazine. âCapitalism profits on our insecurities. Itâs really radical embracingââ¦âmy music tasteâ. The Londoner is grateful for this new excuse.
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TRISTRAM HUNT has some advice for Keir Starmer: leave the âtruly terribleâ offices given to the Leader of the Opposition. The V&A boss tells The Spectator: âFor more than a decade, these rooms have reeked of defeat, futilityâ¦â lethargy and unhappiness. Keir should demand a power-hungry suite in Portcullis House.â Thatâll fix it.
The world is Deeleyâs oyster after lockdown

Cat Deeley is doing lockdown-lifting the right way. âYesterday I had oysters for the first time in however long,â she told the Londoner last night. That was over champagne at the AllBright club in Mayfair â not bad going for three days in. And Amber Le Bon, who DJed at the event on Perrier-Jouëtâs Wild Jardin terrace, was equally excited to be out, though lockdown had its silver linings: she relearnt to play the ukulele.
Britpop life wasnât a walk in the park
Graham Coxon knows success comes at a cost. âI was really into indie stuff in the late Eightiesââ¦âand then Britpop just bulldozed through it. I thought I had almost helped kill one of my favourite [genres of] music,â the Blur guitarist tells Blank podcast. Embracing a life of hedonism didnât help much either: âYou get to know your limit on partying. Youâve got a tour manager but youâre ignoring him. Youâre in a room with free booze, free everything, every night of the week.â He added, sighing: âThen you wonder why you canât stop crying after three weeks⦠Itâs really weird.â
âBring classical music to Radio 1â

Classical music must strike a new chord on diversity, says pianist Isata Kanneh-Mason, left. âYou canât be what you canât see,â she tells us, adding that a broadcasting change could help: âIt would be really good to occasionally have it on Radio 1.â The musician, who is releasing her album Summertime in July, concludes: âPeople think classical music stuffy, which can be true but thatâs the environment itâs in rather than the music itself.â Encore to that.
Tovey, his mum and Fifty Shades...

Russell TOVEY and his mum know all about strong bonds. The actor, who has curated an exhibition called Breakfast Under the Tree, is looking forward to her visiting â though it may seem tame given he once took her to a BDSM and leather subculture fair. âShe went up to everyone, no matter what they were wearing, no matter how many whip marks they had. She was having a chit-chat as if it was one of her neighbours having a cup of tea.â Fifty Shades of Earl Grey?
AUTHOR Marcus Ryder says broadcasters need to follow in the steps of the Film + TV Charity, which has announced an anti-racism funding strategy in response to the Black Lives Matter movement. As well as introducing a £1 million programme to support groups tackling discrimination, the charity, which supports behind-the-scenes workers in the industry, is ring-fencing 30 per cent of its future grants budget for black, Asian and minority ethnic people.
Ryder, who wrote Access All Areas with Lenny Henry, says: âRing-fencing funds to ensure resources go to under-represented groups is essential.â He says since writing an open letter in 2014 âLenny and I⦠have been making this argument. We now need broadcasters and other media organisations to follow the Film + TV Charityâs exampleâ. A spokesman for the charity said the BLM movement had made them acknowledge they âhad not done enoughâ.
âBy announcing permanent changes we hope it helps to ensure words are matched by meaningful action.â Ryder adds: âI have not seen too many other media organisations respond in the same way.â Will this be the push needed?